I visited my husband's office and saw this watercolor that I did many years ago. Still fun and playful. When people see my name, they ask my husband if this is a family member. They are referring to the signature, but he likes to think it refers to his family tree.
Friday, October 25, 2013
Moving Forward
I haven't posted for awhile, but that doesn't mean I haven't been busy!
I am studying with Margot Lennartz, attending a weekly workshop. Margot loves landscapes, particularly California scenes. Her career spans decades of successful painting. Her home is filled with her work, and she still enters and wins juried shows on a regular basis. She has an amazing ability to help each of her students regardless of the many different styles. It's a fun and supportive environment. I am loving it!
I also feel that I have "arrived" and can now do my own art the way I want. I thought this painting of a ranch near Cayucos was done. Now that I look again, I see several small things I still need to do. I love the overall feel of it, though.
Okay, so you want to know what I'm going to change...
It needs a small indication of a shadow to the left of the red trough in the foreground. The two trees on the left need better highlights and shadows in the branches. And I have to do something with the yellow patch in the center above the purple trough. That brushstroke has bothered me since the minute I put it on! I think the yellow color is too bright for that place in the picture, or maybe it's the contrast with the purple is too strong. I also have too much blue showing through from the underpainting - easy to fix.
I love the sky. Margot encouraged me to paint the sky yellow, rather than the even, mid-tone blue of my source photos. (This photo of the painting makes the purple on the left stand out more than it actually does in the painting.) The yellow sky softens and unifies the entire atmosphere of the scene. Now that I have done it, I understand it. The sky area is so narrow that there isn't space to develop into the deep blue of the overhead sky. All that shows is the pale light near the horizon.
I am studying with Margot Lennartz, attending a weekly workshop. Margot loves landscapes, particularly California scenes. Her career spans decades of successful painting. Her home is filled with her work, and she still enters and wins juried shows on a regular basis. She has an amazing ability to help each of her students regardless of the many different styles. It's a fun and supportive environment. I am loving it!
I also feel that I have "arrived" and can now do my own art the way I want. I thought this painting of a ranch near Cayucos was done. Now that I look again, I see several small things I still need to do. I love the overall feel of it, though.
Okay, so you want to know what I'm going to change...
It needs a small indication of a shadow to the left of the red trough in the foreground. The two trees on the left need better highlights and shadows in the branches. And I have to do something with the yellow patch in the center above the purple trough. That brushstroke has bothered me since the minute I put it on! I think the yellow color is too bright for that place in the picture, or maybe it's the contrast with the purple is too strong. I also have too much blue showing through from the underpainting - easy to fix.
I love the sky. Margot encouraged me to paint the sky yellow, rather than the even, mid-tone blue of my source photos. (This photo of the painting makes the purple on the left stand out more than it actually does in the painting.) The yellow sky softens and unifies the entire atmosphere of the scene. Now that I have done it, I understand it. The sky area is so narrow that there isn't space to develop into the deep blue of the overhead sky. All that shows is the pale light near the horizon.
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